Thursday, April 23, 2015

THE WAR BETWEEN THE UNIVERSES: PART 2 - DC







The 'Not-So-Critical' Critic: 

on THE WAR BETWEEN THE UNIVERSES: PART 2 - DC

After the release of the teaser trailer for BATMAN V SUPERMAN: DAWN OF JUSTICE, I can say that I am more intrigued than excited.  There are so many awesome elements in play - two major heroes facing off against each other, not even sure what villains will make an appearance (besides Lex), and a power cast to make it work.  But now I am curious as to how the story will unfold.  MAN OF STEEL was such a gateway 'hero drug' that I want to see what happens next for Superman, itching and scratching like a crack fiend.  The moral dilemma that David S. Goyer has penned and Zack Snyder made visual has upset some fans, but made me unequivocally hooked.  I need that hit.

And now the pieces start to fall into place as DC rushes to catch up in the 'Hero Universe Race'.  Their list of future films include SUICIDE SQUAD, WONDER WOMAN, JUSTICE LEAGUE (in two parts), THE FLASH, AQUAMAN, SHAZAM, CYBORG, and GREEN LANTERN.  An impressive line-up to say the least.  But as you can see, well behind on the standalone films.

The CW has launched an impressive series for DC in the "Arrow".  With the third season coming to a close, there is still a sense of wonder and surprise with each episode.  The show has not imploded from the numerous storylines, making for a mess, which I do fear at some point could happen.  They keep such a high level of octane pumping through the boob tube, I wonder if they can keep this pace.  I am hoping for at least another five seasons...  maybe six... before such a calamity.

Now the CW has the freshman show, "The Flash", making a speedy impact.  More lighthearted than the "Arrow", it has a charm you cannot dismiss.  But the problem I run into is how some of the villains overact their flavored role.  We know they have special names and toys, but stop with the cheesy lines.  Outside that complaint, Grant Gustin makes for a great Flash.  I wish DC could just trust in the transition and put him on the silver screen, would love to see some continuity.  And now, this successful spin-off has prompted another, one to include The Atom, Captain Cold, and a host of others.  

The origin show "Gotham" has been a rollercoaster for me.  I want to love it, I really do.  But the show seems to be sputtering.  The characters are in play, the power actors are contributing, but the writing seems to be all over the place.  They need to reground the core before it gets too far out of hand.  I am very tempted to write the producers a letter after this article... and might.

NBC's "Constantine" should have been a great success.  What happened to those numbers?  I believe religious zealots had something to do with it, because this was one of the best shows on the 'big boy' network.  They had enough smoking innuendo to appease the hardcore fans, although they did scrimp on his slinging gouts of fire.  The supporting characters are interesting and engaging.  The formula appeared to work.  Cancellation needs to be the farthest thing from the NBC execs' minds.

The future also looks bright for DC for other TV shows.  We have "Supergirl" and "Preacher" in the works.  I have to say they grabbed the right guy for Preacher, Dominic Cooper (yeah, Howard Stark from CAPTAIN AMERICA and on "Agent Carter").  If you have followed his career, he has flare and disserves a larger role in this 'war'.

And then you have the animated DCU.  There is never a shortage of good anime since the start.  Alone, the original "Batman: The Animated Series" was groundbreaking and set the standards for years to come.  The style was coined 'Dark Deco' with its distinctive noir appeal.  This is also where Harley Quinn was birthed and why Mark Hamill will always be dubbed the voice of the Joker in my book.  Following in its wake, the production of other animated series and standalone movies shows not only a depth of innovation, but a sense of quality and technique over pure output.

Next week - In the Trenches, Counting the Bodies....

Thursday, April 16, 2015

THE WAR BETWEEN THE UNIVERSES: PART 1 - MARVEL







The 'Not-So-Critical' Critic: 
on THE WAR BETWEEN THE UNIVERSES: PART 1 - MARVEL

With AVENGERS: AGE OF ULTRON around the corner, with TV shows wrapping up their sophomore year, and new releases on the horizon, MARVEL has a lot to talk about and mull over. 

Many have said that MARVEL has set the bar high for the franchising process with THE AVENGERS.  This is true as an overall building plan but the parts were just as integral to the whole.  Looking at each story as a standalone piece, there have been some troubles.  The THOR movies were the weakest.  I couldn't fully invest in these as they were too clean and pretty.  This is Norse mythology, nothing should be clean and pretty.  The IRON MAN trio was not so nicely received by the third film. I, on the other hand, thought they were strong stories with unforgettable characters.  I found them important to the Tony Stark's development, and thus making Downey almost irreplaceable.  And then the CAPTAIN AMERICA set, another fine display of film and writing.  Bringing the heroes together for THE AVENGERS made for an enhanced experience, playing off the strengths of each, with the Hulk for additional flavor.  

Spider-Man has been troubled thanks in part to the studio's lack of conviction.  Both sets of stories contributed to the overall growth of Spider-Man's popularity, making him a top grosser.  I believe that there has been too many chefs in the kitchen to really launch this project to the level it could be.  The SPIDER-MAN collection for Sam Raimi was a shot into the upper echelon of hero films until the third film floundered.  THE AMAZING SPIDER-MAN movies were great, the first being the better of the two.  The second one stumbled in parts but the full storyline could easily have been recovered with a third story to bring them together and move forward.  They tried to do too much.  This I believe was thanks in part to some studio desk jockeys trying to play the numbers and thinking they need to amp up the 'wow' factor.  Now with the Sony breach and snafu, MARVEL has a chance to recover Spider-Man's faltering with some grace in the coming feature, CAPTAIN AMERICA: CIVIL WAR.  I would suggest they show a little backbone and keep Andrew Garfield in as Spider-Man rather than admitting to a sense of failure, when there really wasn't. 

Ryan Reynolds and the launching of the DEADPOOL project has made for great theatre.  The release of the completely digital test footage and the continuing stream of images and special promotional skits are keeping the buzz high.  This could be the greatest marketing strategy in play or eventually it will become the cliff all Deadpool fans jump from if the movie sucks.  I'm thinking we will all be safe from a rash of sudden-impact deaths.

'Marvel's Agents of S.H.I.E.L.D.' (AoS) has continually sat on the fence for me.  There are moments of clarity, and then there seems to be this sense of the plot ambling about with no direction.  I wish they would have started with a grounded and stable first season before sending everything up into the air in a game of Fifty-Two Card Pick-up with Hydra, and now Shield 2.0.  I haven't really had a chance to relate to any one character, as each is always in flux.  The story arcs seem to try and trump the one another, never giving me the time to bond.  And then they tunnel vision the size of S.H.I.E.L.D..  They want you to know that they are large organization, but yet it seems like it's always this small team against everyone else.  That is a tall order, even without having a ton of pesky ?Inhumans? (I dare say, since they won't).

'Agent Carter' was a long shot.  I did not place my money on this bet but after watching the show, I thought it was handled better than AoS.  The stories were tighter and Hayley Atwell had a presence that made the show work (and I would not have guessed).  Unfortunately, there is a chance that all those unresolved story elements will remain so since the ratings were not up to the high standards required for renewal.  Time will tell.

'Powers' is a b-class series put out by the PlayStation Network.  There is a lot of cussing, some awkward sexual innuendo, and plenty of lines of bad dialogue to choke on.  There is such an imbalance in the show, it is hard to get a grip on everything occurring and care.  The poor quality in CGI is something found in amateur films and the set-ups are generic plot tools.  I'd rather watch THE TICK, at least it's meant to be funny.

'Marvel's Daredevil', in my opinion, is the strongest show available to date.  The story is by far some of the best writing and having the best character development on display.  The grittiness puts you in the streets, taking the punches, and forever stitching up the mess afterwards.  The fight sequences have thought behind them, with an Indie sense of presentation at times.  This one is a game changer, mark my words.  Also on the Netflix's to-do list is 'Luke Cage', 'Iron Fist', and 'Defenders', so the future looks promising.

The X-MEN films are there own creature.  The first was by far the best of the three originals., and that is not saying much with how 3 left a bad taste in my mouth.  The Origins films have mixed reviews but I give full support and enjoyed.  FIRST CLASS was so rough in the acting department, I put it on the list with STAR WARS EPISODE I: THE PHANTOM MENACE.  McAvoy and Fassbender carried that film.  DAYS OF FUTURE PAST is there saving grace for any 'future'.  It corrected the problems from the earlier films and reset the stage.  Here's to hoping...

There is also a hidden component that needs to be addresses, the various animated series currently in play.  They have 'Ultimate Spider-Man', 'Avengers Assemble', 'Hulk and the Agents of S.M.A.S.H.', and the soon-to-be 'Guardians of the Galaxy'.  Unless you are closing paying attention or a die hard fan, this are quiet blips on the radar.

Next week - DC Universe....




Monday, April 6, 2015

New call for submissions - "Haunted by the Past"


Tacitus Publishing's 2015 anthology project is - HAUNTED BY THE PAST.  We are looking for short fiction (1,500 to 5,000 words) that pays tribute to some of the past greats - M. R. James, Algernon Blackwood, Sheridan Le Fanu.  The story should be a ghost story that carries the tone, stylistic language, and/or classic story structure.  We are not interested in overwhelming gore or mature content. This should be an original piece of work.

Submission process:
There are two options, either using the submission form on the website or sending an email. For either choice, we ask that you attach the story as an rtf (rich text format) file. 

email:  submission(at)tacituspublishing.com
subject line should read: Haunted Anthology

(This maybe pushing it based on the possibility of being overwhelmed, but we may offer quick critiques or suggestions to submitters in our responses.  Tacitus Publishing wants to continue with its writer-friendly approach by offering any small amount of assistance we can.)

Cover letter and quick biography:
Please put the cover letter in the body of the form or email.  The structuring of the letter should include -
  • your name
  • contact info - address, phone, email
  • title of the story
  • a one sentence summary of your story
  • word count
  • brief bio and quick list of published work

Submission format:
We are not concerned with the overall format of the body of your work but do ask for some page formatting to assist our reviewing process.  Please add to each page -
  • top left - author's name
  • top right - title
  • bottom - page number

Simultaneous and multiple submissions:
We will not accept simultaneous submissions. We will accept multiple submissions if you have received a rejection notice concerning your first submission and the call has not closed, but request that you submit no more than two stories.

Timetable:
Open for submissions - May 1st, 2015
Closed for submissions - August 31st, 2015
Projected completion and published: 1st Quarter 2016



Payment:
We pay 1 cent USD per word. We also provide a complimentary electronic version of the book to each contributor.

Production:
In the interest of the story building and the publishing process, there is the possibility of minor editorial changes to accepted stories. Understand though, the submission is expected to be a polished and proofread product. 

Rights:
Tacitus Publishing asks for First Exclusive Worldwide publishing rights for the term of one year as well as non-exclusive reprint rights thereafter.

It's a Grimm Life - "A Grimm Cover"

Designing a cover for It's a Grimm Life was a great treat and a new challenge.  The first step was finding the right concept.  I wanted something that exemplified the project's theme - it needed to show the Grimm tales brought into modern times.


It took about a month for the seed to germinate.  I wanted to avoid using an overused icon to represent the Grimm idea but, in the end, I relinquished.  The thought of Red transforming into a business woman, walking out of the woods and into a city, made for great symbolism.  



The wolf was an easy decision, changing into a werewolf - and who wouldn't want a werewolf.  I noticed long ago I, for whatever reason, am very critical of the various werewolf body styles.  I think it started with my seeing THE HOWLING.  Seeing that first full transformation just amazed my teenage mind.  Either that or I was horribly traumatized...  So this piece had to honor my idea of what a werewolf should look like.
 

As my first book cover, I had to start off with a traditional piece - acrylic on canvas.  I did consider digital but my odd desire for 'self-love' required that I had something tangible when finished.  No regrets.


I found the unintentional line moment made the centerpiece stand out even more.  The trees seem to push you into the street, then the one point perspective would not let you escape the center.  Using read for highlighting made me feel very M. Night Shyamalan.


Seeing the final product was very satisfying.  The painting took about 20 hours, matching the time it took to do all the interior illustrations.  As a side note, the hardest part is getting a good picture for digital format.