Sunday, May 15, 2016

A Taste of "Haunted by the Past" - AMOR VINCIT OMNIA






AMOR VINCIT OMNIA


by James S. Austin




The deep melancholy of the evening only disheartened Father Prichard further.  The swollen clouds laden with heaven's tears erupted as he finished his evening cleaning of the ruined cathedral.  He had no desire to dash through the sodden cemetery or around its lengthy perimeter to the small chantry.  He slid down the aged wall, the fatigue from the recent restless nights creeping through his bones.  The rain would eventually cease.
He ran his shivering fingers along the jagged fracture in the stone wall as his mind wandered.  The Father's thoughts cascaded with the runoff from the roof's eves as glimpses of past memories flashed in unison to the erratic crescendos of the storm's angered fury. 
Months earlier, Father Pritchard had hoped to escape from the bustle of the church's over-tasked clergy.  With the rise in popularity for the more oppressive monastic calling, many of the faithful departed with new purpose, leaving fewer servants of God to tend the daily church workings.  So in an effort to continue with his devotion, the father accepted a position at La Sainteté des Anges to find his peace with God. 
Once the site of a respected cathedral in West Fracia, all that remained was but a hollowed husk, only a symbol of its past glory.  The infernal blaze that consumed the small cathedral over a hundred years ago lasted two days and was said to have been an evil omen, a blasphemous act that brought ruin to the region.  The walls that remained were but a stone skeleton, without the promise of refuge.  Sections of the roof had collapsed, the heavy beams pulling parts of the walls to the ground.  Only the apse, the heralded sanctuary, provided any means of shelter from a night like this. 


* * * * *


The previous caretaker, a monk by any other name, grinned in glee for his liberation when Father Pritchard announced his arrival.  The nervous chatter that escaped from the troubled priest held no reserve or reverence for this place.  He spoke of finding no solace in his stay as a result of the dreaded affliction: the bewitchment that sat on the north hill.  It was an obsessive theme in the monk's conversations over his last few days while helping to familiarize Father Pritchard with his duties. 
The northernmost point of the cemetery climbed to a small hillock.  At its crest, once intended as the site of a landed lord's ancestral resting home for him and his family, sat a single stone edifice to denote a lone grave.  The mausoleum was said to belong to the man responsible for that infernal blaze.  A mangled and corroded iron fence ran along the base of the mound, which the past caretaker claimed was to signify a boundary between Earth and hell.  A deteriorated statue of Michael the Archangel stood atop the stone structure.  Michael's empty eyes gazed down upon the sealed entrance with sword held forward and clasped by both hands.  After a time, as the sun fell behind the horizon every evening, the Father swore he could feel the strain put forth by all of the archangel's will to keep the evil from breeching the spiritual bonds of death below his feet.


* * * * *


            A shadow pulling around the apse's edge caught him in mid-breath.
"Good evening, Father. I have sought shelter among this forgotten sanctuary," the darkness whispered.
As the shadow approached, it took the shape of a twisted man.  His head sat within the cradle of his shoulders with a battered hat pulled low on his brow, clothes drenched from the downpour's tirade beyond.  Knotted fists and elbows, like fallen branches, swung awkwardly with his labored steps.
            Father fought to maintain composure as his nerves twitched into actions of flight.  "All are welcome here, my lord," was forced through his lips as he regained his faculties.  "What brings you out so far on an evening of such wickedness?"  With what strength remained, Father Pritchard pulled himself erect against the wall.  His nights have been plagued with feelings of loss and despair, and it was taking a toll.
            Lifting the hat away, the stranger's furrowed face trembled in shivers and shakes as his yellowed eyes, one staring forward as the other gazed off into other reaches, looked down on the priest.  The man's tattered attire hung like soaked rags, and a satchel was slung over his shoulder, dripping at all ends. 
            "My work.  I travel to the city fairs and offer my services as an engraver and repairer of jewelry."  The man clamped down onto the edge of a block and lowered himself in a great wheeze. 
            The sudden silence between them was filled with the wind howling around the outer walls.  Father Pritchard watched as the stranger sat there attempting to compose himself from the strain of his journey.
            The yellowed eyes glanced to the side.  "Back in the darkness, behind the crooked beam, I saw a bird.  It appeared to be injured."
            Curious of such finds, Father Pritchard found the energy to raise himself and make his way into the dark, to find a raven cowering behind the beam. 
"Why, yes.  Alas, it seems we are not the only ones in need tonight.  Our Lord's fury has brought naught to the innocent."  The bird shook out its feathers and extended itself, plucking into its left wing.  "He appears to be bothered, having something wrong with his wing maybe.  Shame."  The raven danced about before disappearing into the edge of night.
The stranger let out a rasping cough.  "Yes, this place has fallen from its previous splendor."
"What…oh the church.  Yes, consumed in a vengeful flame from what I have been told.  Used to be a landmark among these lonely hills of our Lord.  Now, the hills have truly lost their way and the people only pass to see the crumbled walls.  I stay here now to watch over the memory."
He could imagine the spiritual disease that must have led to the locals abandoning such a serene place.  The deteriorating church stood as an edifice of symbolism within Father Pritchard's own thoughts, an almost-validation to return to the people rather than be centered on one's own salvation.  The foundation and structure built of stone and wood formed the traditions of the church and its past.  With the Benedictine Laws crushing the wills of the monasteries and the church interludes into the secular realm, he found his world changing. 
As lightning struck, he caught his eyes gazing at the north hill.
"Do you believe in ghosts, Father?"
            Father Pritchard was startled to the core at the thought.  "That is a hard question to answer, and there may not be one.  I personally do not think there are."  The quiver in his voice may have said otherwise.  Searching for a diversion, the Father noticed that the traveler held tightly to something in his lap. 
            "So what is that you twist in your hands?  Some of your work?" 
            "Yes, I suppose it is."
            "May I have a look?"
            Once in hand, Father Pritchard held the item up to the irregular light.  It was a golden necklace strung through an egg-shaped medallion.  The profile of a comely woman was etched on the surface with an inscription along the lower border that read AMOR VINCIT OMNIA.
            "This is quite beautiful."
            "She was my wife, good Father.  I made this for her.  She wore it till the day she died."  The old man's gray eyes turned to the Father's.  "She finds me at night.  I don't get much rest anymore."
            "Really, how do you know it is her?"
            "She is my wife.  She died of the Red Fever long ago.  I watched her as the boils grew and her eyes slowly dimmed."
            "That is an unpleasant thing to experience."
            "I always see her at a distance in the shadows or as a wisp of breath on my neck speaking my name."  After a slight pause, "Why won't she go to heaven?"  
             "I'm sorry, I'm not sure how to answer that."
            "The lack of sleep clouds my mind.  What makes it so hard to forget?  I can still feel her gentle hand that leads me through the church gardens.  I remember her sweet giggle every time I complained about the weather.  I get frustrated just thinking of this, knowing that I cannot forget or move past."
            "You resist so hard, maybe you are meant to think of her.  That is what God may have intended.  She is as much a part of your life now as she was then.  If you let go, and embrace your past love, your torment may end.  Amor vincit omnia.  Love does conquer all." 
            A slight smile cracked the old man's features.  "You might be right, Father.  Thank you for your wisdom.  It seems this night may have a reprieve, the rain has slowed."   Father Pritchard watched as the hunchbacked stranger climbed to his feet and disappeared into the darknes
            The following morning, during his stroll of the grounds, the Father found himself at the rusted gate to the mound.  Looking to the peak, he noticed that Michael stood vigilant no more.  With the sudden urge to provide the Lord's faith to a forsaken soul, he climbed to the top to find all that remained of the statue was a pair of sandaled feet affixed to the roof.  At the point where the angel's eyes would fall, an inscription read:  "Let those who read this know that forgiveness and faith quench all burning souls, may they be joined.  In loving memory of a gracious husband.  Amor Vincit Omnia."

 

Sunday, May 1, 2016

"The Sky is the Limit"

Tacitus Publishing is reaching out with new marketing strategies.  We now have an ad running on the USA Today website.  Here it is:



I can't be happier with the idea of growing and expanding.

Tuesday, March 1, 2016

"Haunted by the Past" Released

Haunted by the Past has been released upon the world today.  I hope everyone involved knows that they were a valuable piece in making this project successful. 


The process of putting everything together as a small crew takes a toll.  There are endless hours spent on making the deadline.  Words will float like dust motes in front of my eyes for the next few weeks, so I know that others must have similar afflictions when completing a task so time-consuming.  In the end, it is all worth it.

Monday, February 15, 2016

"Haunted by the Past" - Illustrations

I have been hard at work putting together the illustrations for each dark tale found inside.  Enjoy.


Amor Vincit Omnia
James S. Austin

A Belfast Haunting
Toby A. LeCrone


Pianissimo Possibile
Matthew R. Davis

Black, Without Crepe
Amanda Hard

Tulpa
Preston Dennett

Un Film De
Gregory L. Norris

Spring Tide
Mike Driver

The Damned of Chelsea
T. S. Kummelman
 

The Boyle Goodbye
Chris Phillips
 

Whither Thou Goest
Mischa Sagan
 

Broken Books
Brett Parker

The Place of Fear
James S. Austin
 












Friday, January 15, 2016

"Haunted by the Past" - The Finals

Here is a list of the stories featured in Haunted by the Past.  I can say I am proud to be among these talented writers.



Amor Vincit Omnia
James S. Austin

A Belfast Haunting
Toby A. LeCrone

Pianissimo Possibile
Matthew R. Davis

Black, Without Crepe
Amanda Hard

Tulpa
Preston Dennett 

Un Film De
Gregory L. Norris

Spring Tide
Mike Driver

The Damned of Chelsea
T. S. Kummelman 

The Boyle Goodbye
Chris Phillips

Whither Thou Goest
Mischa Sagan

Broken Books
Brett Parker

The Place of Fear
James S. Austin

Monday, December 14, 2015

"Haunted by the Past" - Book Cover

One of the treats being a writer and an artist is the chance to design my own covers.  It gives me a chance to create an image that means something to me and the work inside.  Being that this is all about those lovely ghost tales that inspired future generations, it is only fitting that I call upon M. R. James for inspiration. 




Haunted by the Past is the second anthology to be released by Tacitus Publishing.  Since I thought it a little self-serving to include any of my stories in the first, I contributed two this time.  And with that, I wanted a cover that had a deeper meaning, a way to pay tribute to the masters. This cover is an ode to M. R. James' short story, "The Rose Garden".  His darkness has found a place in my heart.

Monday, August 3, 2015

Tips on Submitting to an Anthology

As the stories are coming in and we review them for possible publication, I find that writers still stumble over some of the most important and simplest of practices.  I'm not sure if they are unfamiliar with the process of submitting to publishing companies, but I pretend this is the case so it doesn't seem as troubling.  I would like to think that the excitement of submitting a piece overwhelms them to the point of distraction.  I would...

We are a small publisher so I have a lower threshold towards authors sending in their work incorrectly but fear for them when they later try for one of the bigger boys on the block.  I would like to impart on you what I see so that maybe the process of submitting to an anthology becomes less 'overwhelming' and you don't lose your chance at an acceptance letter.  Understand, there are no great revelations here, and that is why I find it necessary to reiterate what you probably have seen before but must have forgotten along the way.




1.  Follow the directions.  I cannot stress this more!  Publishers will breakdown what they expect from the author when they are to submit.  As an example, file format seems to be one the things a few authors either don't understand or quickly skip over before sending.  This could be a quick excuse for an editor to pass on a story, especially when they cannot open the file.

2.  Submit a work that fits the theme.  Doing your homework is crucial when there is a theme involved.  Editors will work diligently to have a tight set of stories that offer the readers what they are expecting to find in their anthology.  Having a few outliers can enhance the overall reading experience but too many can be distracting or seem like lazy filler.

3.  Spelling and grammar errors.  Believe it or not, this one has lesser an impact than you would think - for me that is.  I know, I know... are you crazy?!  The truth is I find that a well written story with a few stumbles torments me less than a story that has everything nice and tidy but with little heart.  Please use spell checkers and honest test readers, it will save you in the long run.  If not, you will portray yourself as an unpracticed writer and the story will be quickly added to the rejection list.

4.  Plot holes and odd tangents.  No one likes to find missing points in narration or to begin the slide down the slippery slope of irrelevance.  Readers will become lost in the details or have pertinent questions go unanswered by the time they reach the inevitable 'The End'.  This creates a credibility issue for the author.  A conflict will now arise between the author and reader, making for a miserable experience.  And never forget, a summation at the end of your story with a nice, pink bow to tie up loose ends is also an epic fail. 

5.  Having relatable characters.  A protagonist's sole purpose outside of driving a story forward is to draw in the reader.  They must have qualities and experiences that readers can somehow sympathize.  But as the cast of characters grows, writers have the potential pitfall of making simplistic archetypes that serve little use other than to progress the story.  The easiest example is a villain.  A one dimensional bad guy/gal that lacks any humanity is a bad call on the writer's part.  Take for instance comic book villains, such as Ant-Man's Darren Cross / Yellowjacket movie interpretation.  He was portrayed as a psychopath thanks to his continued exposure to the subatomic particles.  The movie spent very little time in making Cross relatable other than focusing on his feelings of betrayal and abandonment.

6. Tight story vs. loose story.  Simple... loose story leads to losing the reader.

7.  Show, don't tell.  This, like many creative writing rules, is a must.  There are points when telling is needed but you must limit yourself.  A writer's foremost goal is to have their story unfold visually to the reader.  If you are constantly telling the reader what they see and how they feel, there is no internal discovery for the reader.  They will walk away from the experience without any enrichment. 

8.  Dialogue without action.  When people talk, rarely are they just standing still, transfixed on their conversation.  Dialogue can be more than just banter.  This is an opportunity as a writer to make the story fluid in places that otherwise would be info dumps, a chance to create character depth with simple gestures or ticks, or draw out emotion with sympathetic body language.  And please...

9.  Natural dialogue.  There is nothing worse than sputtering between "he said" and "she said" or wordy dialogue that has no sense of what an actual conversation is like.  You know what I mean.  We have all been guilty of this one point or another. 

10.  The cover letter.  A cover letter may or may not be necessary.  As with any list of tips about this topic, you are warned that this is your first contact and your first impression on the editor.  To me, this quandary of subtle presentation is similar one's need to learn social skills in their earlier years.  Schools offer more than textbook education and that is a fact.  The decision on whether to home school your child over an extended period of their education is a tough one.  Follow me, if you will.  One important lesson to learn while in public or private schools is on social skills.  If you home school for too long a period, the child will suffer in this regard.  Cover letters can be seen in the same perspective.  Their presentation and effectiveness lies in the skill of the writer to be graceful in their self-love while selling their talent.  A cover letter first should follow the standard format either given by the publisher or have a general presentation that keeps to a clean and concise manner.  A clunky letter that blurts out a writer's exploits and lacks a sense of control will only seem narcissistic.  Trust me, it will be your writing that will sell you.  

It seems odd for me to draft this list and not think writers have already done their due diligence when submitting a story to an anthology but I feel obligated as Tacitus Publishing's goal is to help writers.  I covered a number of topics and hope that this helps someone along their journey. 

-  James S. Austin

(Oh, and as a side note, don't use a colored font with multiple sizes in your correspondence... should I have added an 11?.... because this does happen occasionally... the woes of an editor)

http://www.tacituspublishing.com/anthologies.html