In "It's a Grimm Life", I included a few illustrations with a symbolic reference, something that hinted to a key feature in the associated story, and provided me a bit of enjoyment at being clever (no snickering, you...).
**** SPOILERS WITHIN ****
BLACK ROCK by Liz Crossland - The rock illustration has the formula for a combustion reaction inscribed on its surface; to reference the chemistry lab scenes, the volatile attitude of the leading lady, and the ever-burning desire the protagonist felt while searching for his lost love.
THE WICKED STEPMOTHER by Jessamy Corob Cook - The door has the alchemical symbol for stone; referencing the spell triggered when opening the door, and the answer to a stepmother's unthinkable dilemma.
THUMBLING by Gregory L. Norris - The amalgam of the story's central group, a quaint little knitting club, and the overwhelming urge for a woman to "conceive" a child.
WHO'S AFRAID? by Carl Barker - My last illustration is more of a visual piece. The idea was that if you mildly squinted while staring at the image, you can make out the head of a wolf. Once I made a color version for the author and promotional purposes, the poor boy was much harder to see.
Oh well.
Illustrations maybe becoming less frequent, but I think this tradition will be honored for as long as I can with Tacitus Publishing.
- James S. Austin
Saturday, May 30, 2015
Thursday, April 23, 2015
THE WAR BETWEEN THE UNIVERSES: PART 2 - DC
The 'Not-So-Critical' Critic:
on THE WAR BETWEEN THE UNIVERSES: PART 2 - DC
After the release of the teaser trailer for BATMAN V
SUPERMAN: DAWN OF JUSTICE, I can say that I am more intrigued than
excited. There are so many awesome
elements in play - two major heroes facing off against each other, not even
sure what villains will make an appearance (besides Lex), and a power cast to
make it work. But now I am curious as
to how the story will unfold. MAN OF
STEEL was such a gateway 'hero drug' that I want to see what happens next for
Superman, itching and scratching like a crack fiend. The moral dilemma that David S. Goyer has penned and Zack Snyder
made visual has upset some fans, but made me unequivocally hooked. I need that hit.
And now the pieces start to fall into place as DC rushes to
catch up in the 'Hero Universe Race'.
Their list of future films include SUICIDE SQUAD, WONDER WOMAN, JUSTICE
LEAGUE (in two parts), THE FLASH, AQUAMAN, SHAZAM, CYBORG, and GREEN
LANTERN. An impressive line-up to say
the least. But as you can see, well
behind on the standalone films.
The CW has launched an impressive series for DC in the
"Arrow". With the third
season coming to a close, there is still a sense of wonder and surprise with
each episode. The show has not imploded
from the numerous storylines, making for a mess, which I do fear at some point
could happen. They keep such a high
level of octane pumping through the boob tube, I wonder if they can keep this
pace. I am hoping for at least another
five seasons... maybe six... before
such a calamity.
Now the CW has the freshman show, "The Flash",
making a speedy impact. More
lighthearted than the "Arrow", it has a charm you cannot
dismiss. But the problem I run into is
how some of the villains overact their flavored role. We know they have special names and toys, but stop with the
cheesy lines. Outside that complaint,
Grant Gustin makes for a great Flash. I
wish DC could just trust in the transition and put him on the silver screen,
would love to see some continuity. And
now, this successful spin-off has prompted another, one to include The Atom,
Captain Cold, and a host of others.
The origin show "Gotham" has been a rollercoaster
for me. I want to love it, I really
do. But the show seems to be sputtering. The characters are in play, the power actors
are contributing, but the writing seems to be all over the place. They need to reground the core before it
gets too far out of hand. I am very
tempted to write the producers a letter after this article... and might.
NBC's "Constantine" should have been a great
success. What happened to those
numbers? I believe religious zealots
had something to do with it, because this was one of the best shows on the 'big
boy' network. They had enough smoking
innuendo to appease the hardcore fans, although they did scrimp on his slinging
gouts of fire. The supporting
characters are interesting and engaging.
The formula appeared to work.
Cancellation needs to be the farthest thing from the NBC execs' minds.
The future also looks bright for DC for other TV shows. We have "Supergirl" and
"Preacher" in the works. I
have to say they grabbed the right guy for Preacher, Dominic Cooper (yeah, Howard
Stark from CAPTAIN AMERICA and on "Agent Carter"). If you have followed his career, he has
flare and disserves a larger role in this 'war'.
And then you have the animated DCU. There is never a shortage of good anime
since the start. Alone, the original
"Batman: The Animated Series" was groundbreaking and set the
standards for years to come. The style
was coined 'Dark Deco' with its distinctive noir appeal. This is also where Harley Quinn was birthed
and why Mark Hamill will always be dubbed the voice of the Joker in my
book. Following in its wake, the
production of other animated series and standalone movies shows not only a
depth of innovation, but a sense of quality and technique over pure output.
Next week - In the Trenches, Counting the Bodies....
Thursday, April 16, 2015
THE WAR BETWEEN THE UNIVERSES: PART 1 - MARVEL
The 'Not-So-Critical' Critic:
on THE WAR BETWEEN THE UNIVERSES: PART 1 - MARVEL
With AVENGERS: AGE OF ULTRON around the corner, with TV
shows wrapping up their sophomore year, and new releases on the horizon, MARVEL
has a lot to talk about and mull over.
Many have said that MARVEL has set the bar high for the
franchising process with THE AVENGERS.
This is true as an overall building plan but the parts were just as
integral to the whole. Looking at each
story as a standalone piece, there have been some troubles. The THOR movies were the weakest. I couldn't fully invest in these as they
were too clean and pretty. This is
Norse mythology, nothing should be clean and pretty. The IRON MAN trio was not so nicely received by the third film.
I, on the other hand, thought they were strong stories with unforgettable
characters. I found them important to
the Tony Stark's development, and thus making Downey almost irreplaceable. And then the CAPTAIN AMERICA set, another
fine display of film and writing. Bringing
the heroes together for THE AVENGERS made for an enhanced experience, playing
off the strengths of each, with the Hulk for additional flavor.
Spider-Man has been troubled thanks in part to the studio's
lack of conviction. Both sets of
stories contributed to the overall growth of Spider-Man's popularity, making
him a top grosser. I believe that there
has been too many chefs in the kitchen to really launch this project to the
level it could be. The SPIDER-MAN
collection for Sam Raimi was a shot into the upper echelon of hero films until
the third film floundered. THE AMAZING
SPIDER-MAN movies were great, the first being the better of the two. The second one stumbled in parts but the
full storyline could easily have been recovered with a third story to bring
them together and move forward. They
tried to do too much. This I believe
was thanks in part to some studio desk jockeys trying to play the numbers and
thinking they need to amp up the 'wow' factor.
Now with the Sony breach and snafu, MARVEL has a chance to recover
Spider-Man's faltering with some grace in the coming feature, CAPTAIN AMERICA:
CIVIL WAR. I would suggest they show a
little backbone and keep Andrew Garfield in as Spider-Man rather than admitting
to a sense of failure, when there really wasn't.
Ryan Reynolds and the launching of the DEADPOOL project has
made for great theatre. The release of
the completely digital test footage and the continuing stream of images and
special promotional skits are keeping the buzz high. This could be the greatest marketing strategy in play or
eventually it will become the cliff all Deadpool fans jump from if the movie
sucks. I'm thinking we will all be safe
from a rash of sudden-impact deaths.
'Marvel's Agents of S.H.I.E.L.D.'
(AoS) has continually sat on the fence for me.
There are moments of clarity, and then there seems to be this sense of
the plot ambling about with no direction.
I wish they would have started with a grounded and stable first season
before sending everything up into the air in a game of Fifty-Two Card Pick-up
with Hydra, and now Shield 2.0. I
haven't really had a chance to relate to any one character, as each is always
in flux. The story arcs seem to try and
trump the one another, never giving me the time to bond. And then they tunnel vision the size of
S.H.I.E.L.D.. They want you to know
that they are large organization, but yet it seems like it's always this small
team against everyone else. That is a
tall order, even without having a ton of pesky ?Inhumans? (I dare say, since
they won't).
'Agent Carter' was a long shot. I did not place my money on this bet but after watching the show,
I thought it was handled better than AoS.
The stories were tighter and Hayley Atwell had a presence that made the
show work (and I would not have guessed).
Unfortunately, there is a chance that all those unresolved story
elements will remain so since the ratings were not up to the high standards
required for renewal. Time will tell.
'Powers' is a b-class series put out by the PlayStation
Network. There is a lot of cussing,
some awkward sexual innuendo, and plenty of lines of bad dialogue to choke
on. There is such an imbalance in the
show, it is hard to get a grip on everything occurring and care. The poor quality in CGI is something found
in amateur films and the set-ups are generic plot tools. I'd rather watch THE TICK, at least it's
meant to be funny.
'Marvel's Daredevil', in my opinion, is the strongest show
available to date. The story is by far
some of the best writing and having the best character development on
display. The grittiness puts you in the
streets, taking the punches, and forever stitching up the mess afterwards. The fight sequences have thought behind
them, with an Indie sense of presentation at times. This one is a game changer, mark my words. Also on the Netflix's to-do list is 'Luke
Cage', 'Iron Fist', and 'Defenders', so the future looks promising.
The X-MEN films are there own creature. The first was by far the best of the three
originals., and that is not saying much with how 3 left a bad taste in my
mouth. The Origins films have mixed
reviews but I give full support and enjoyed.
FIRST CLASS was so rough in the acting department, I put it on the list
with STAR WARS EPISODE I: THE PHANTOM MENACE.
McAvoy and Fassbender carried that film. DAYS OF FUTURE PAST is there saving grace for any 'future'. It corrected the problems from the earlier
films and reset the stage. Here's to
hoping...
There is also a hidden component that needs to be addresses,
the various animated series currently in play.
They have 'Ultimate Spider-Man', 'Avengers Assemble', 'Hulk and the
Agents of S.M.A.S.H.', and the soon-to-be 'Guardians of the Galaxy'. Unless you are closing paying attention or a
die hard fan, this are quiet blips on the radar.
Next week - DC Universe....
Monday, April 6, 2015
New call for submissions - "Haunted by the Past"
Tacitus Publishing's 2015 anthology project is - HAUNTED BY THE
PAST. We are looking for short fiction
(1,500 to 5,000 words) that pays tribute to some of the past greats - M. R.
James, Algernon Blackwood, Sheridan Le Fanu.
The story should be a ghost story that carries the tone, stylistic
language, and/or classic story structure.
We are not interested in overwhelming gore or mature content. This
should be an original piece of work.
Submission process:
There are two options, either using the submission form on the
website or sending an email. For either choice, we ask that you attach the
story as an rtf (rich text format) file.
email:
submission(at)tacituspublishing.com
subject line should read: Haunted Anthology
(This maybe pushing it based on the possibility of being
overwhelmed, but we may offer quick critiques or suggestions to submitters in
our responses. Tacitus Publishing wants
to continue with its writer-friendly approach by offering any small amount of
assistance we can.)
Cover letter and quick biography:
Please put the cover letter in the body of the form or email. The structuring of the letter should include
-
- your name
- contact info - address, phone, email
- title of the story
- a one sentence summary of your story
- word count
- brief bio and quick list of published work
Submission format:
We are not concerned with the overall format of the body of your
work but do ask for some page formatting to assist our reviewing process. Please add to each page -
- top left - author's name
- top right - title
- bottom - page number
Simultaneous and multiple submissions:
We will not accept simultaneous submissions. We will accept
multiple submissions if you have received a rejection notice concerning your
first submission and the call has not closed, but request that you submit no
more than two stories.
Timetable:
Open for submissions - May 1st, 2015
Closed for submissions - August 31st, 2015
Projected completion and published: 1st Quarter 2016
Payment:
We pay 1 cent USD per
word. We also provide a complimentary electronic version of the book to each
contributor.
Production:
In the interest of the
story building and the publishing process, there is the possibility of minor
editorial changes to accepted stories. Understand though, the submission is
expected to be a polished and proofread product.
Rights:
Tacitus
Publishing asks for First Exclusive Worldwide publishing rights for the term of
one year as well as non-exclusive reprint rights thereafter.
It's a Grimm Life - "A Grimm Cover"
Designing a cover for It's a Grimm Life was
a great treat and a new challenge. The first step was finding the
right concept. I wanted something that exemplified
the project's theme - it needed to show the Grimm tales brought into modern times.

It took about a month for the seed to germinate. I wanted to avoid using an overused icon to represent the Grimm idea but, in the end, I relinquished. The thought of Red transforming into a business woman, walking out of the woods and into a city, made for great symbolism.
The wolf was an easy decision, changing into a werewolf - and who wouldn't want a werewolf. I noticed long ago I, for whatever reason, am very critical of the various werewolf body styles. I think it started with my seeing THE HOWLING. Seeing that first full transformation just amazed my teenage mind. Either that or I was horribly traumatized... So this piece had to honor my idea of what a werewolf should look like.
As my first book cover, I had to start off with a traditional piece - acrylic on canvas. I did consider digital but my odd desire for 'self-love' required that I had something tangible when finished. No regrets.
I found the unintentional line moment made the centerpiece stand out even more. The trees seem to push you into the street, then the one point perspective would not let you escape the center. Using read for highlighting made me feel very M. Night Shyamalan.
Seeing the final product was very satisfying. The painting took about 20 hours, matching the time it took to do all the interior illustrations. As a side note, the hardest part is getting a good picture for digital format.
Sunday, March 15, 2015
IT'S A GRIMM LIFE - “Grimm Beginnings”
- James S. Austin
As a small publisher looking for the proper
start, I felt the need to launch a project that embodies Tacitus Publishing's
desire to promote writing and writers.
Anthologies are one of the best opportunities for writers, both
practiced and new, to get a piece published.
They give a writer the chance to explore new concepts and experiment
with a different voice while not having to feel the pressure of writing a story
that must appeal to a broad audience.
I have always been fascinated by the
assorted stories from past cultures, to include the Grimms’ collection of fairy
tales. It was during my college studies
in anthropology, which included an examination of folklore and oral traditions,
when I came to appreciate their influence on the literary world. Their simple but moralistic plot-threads are
still alive in popular film and television today. It’s a Grimm Life offers the reader a
chance to once again enter these past fables but through a new perspective and
in a modern setting.
Sunday, March 1, 2015
The release of - IT'S A GRIMM LIFE
Tacitus Publishing has released its first publication - IT'S A GRIMM LIFE. We are thankful for the authors and everyone who made this possible. You can find the book on Amazon for Kindle or in paperback.
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